Can the Vienna State Opera be reinvented? Perhaps, but it can - and must - be constantly rethought. Rethinking it means making it even more diverse, even more inviting, even more open. You can think of it as an additional venue, a place created especially for children, young people, young adults and families. And it is precisely this idea that we will realize on 7 December 2024.
On this day, a new state opera house will open with its own very rich program - around 100 events on stage in the first season and 80 dates for a wide variety of workshops, for creating, discussing and getting to know each other. A place for everyone who is young and curious - or has remained so! - and want to get involved in something that can be life-changing. In other words, new music theater in its most diverse forms and ramifications, accessible to everyone without any barriers.
It has long been clear that such a venue is needed. Even such a large repertoire house as the Vienna State Opera, with its uniquely broad international offering, reaches its limits when it comes to expanding its repertoire. The Haus am Ring already stages well over 300 performances every season, and it is hardly possible to add substantially more in one house. And if you are really serious about a comprehensive, consistent and continuous program for the younger generations, then you need more than a few additional performances of the notoriously sold-out children's and youth operas. A younger audience is also entitled to an appropriate offering, and not in order to attract the much-vaunted audience of tomorrow, but because the State Opera wants to be there for everyone and every generation has the right to its own theater.
But being serious also means that the new venue should really "play all the tunes". Acoustically as well as technically and spatially. In other words: a real theater, with a stage, orchestra pit, dressing rooms and everything else that goes with it. Many a place has been tested in recent years, some things would only have been possible with almost unimaginable effort, others would not have allowed the artistic freedom we are talking about. It was therefore extraordinarily fortunate that a suitable venue was found not far from the Vienna State Opera, in the Künstlerhaus - and with it a patron who made the project possible in the first place.
What followed was the happiness of planning, dreaming and conceptualizing. Gradually, a musical theater landscape emerged in which Peter and the Wolf meets Twilight of the Gods and Karl Kraus meets the Turkish pop star Gaye Su Akyol. In between, theater maker Jan Lauwers, the opera school, workshops, Georg Nigl & Nikolaus Ofczarek, Nick-Martin Sternitzke, dance karaoke and the young Austrian composer Hannah Eisendle. We have set out to cover as much ground as possible, to offer a program for schools as well, to invite people to watch and participate, to encourage reflection and celebration. Ideally, the program will develop an irresistible pull that draws you into the world of musical theater. And: our first program already offers more premieres and first performances than ever before in a season in the 150-year history of the Haus am Ring.
Our theatrical dreams are now becoming reality. And, we hope, also part of your reality!
Bogdan Rošćić
Director of the Vienna State Opera